Pink Floyd’s “The Dark Side of the Moon”: A Track-by-Track Album Review

Album Cover designed by Hipgnosis and George Hardie

Pink Floyd is an English progressive rock band well-known for their atmospheric soundscapes and politically-charged songs. Their most popular release, “The Dark Side of the Moon”, has forever shaped the landscape of modern music with its introspective lyrics, experimental production, and innovative use of technology.

The Dark Side of the Moon, released in 1973, is one of the greatest albums of all time as it has received critical acclaim from fans and music critics alike. The album is a cosmic voyage through the mind and the human experience, exploring themes of life, death, and the human condition. Its innovative use of sound effects, spoken word samples, and orchestration creates a haunting and immersive atmosphere that transports the listener to an alternate yet familiar sphere of reality. Another notable element of the album is the seamless track-by-track segue in-between songs which stitches it altogether in a cohesive flow.

Pink Floyd is one of my all-time favourite bands and this album is one of my all-time favourites. I am well aware that the band has arguably better albums in terms of musicality and complexity, but this album holds a special place in my heart⁠—it was the first album I fully heard on vinyl.

Track 1 – “Speak to Me” (Score: 10/10)

Writer(s): Nick Mason

Producers(s): Pink Floyd

“Speak to Me” is a mesmerizing instrumental that serves as the opening track for the album. The band’s decision to start the album with an instrumental is a bold choice that immediately draws the listener into their world of sound and sets the mood for what’s to come in the entire album.

As the track progresses, it introduces some of the recurring themes of the album, such as madness and mental health. The belted notes from “The Great Gig in the Sky” add a haunting layer to the track, while the clock sound effects from “Time”, cash register sound effects from “Money”, and train tracks sound effects create a sense of unease and disorientation.

The repetition of the word “mad” is particularly striking and introduces us to the complex nature of mental health and mental illness. The line “it’s hard to why you’re mad even if you’re not mad” is a poignant reminder of the challenges of understanding and communicating about mental illness.

Overall, “Speak to Me” is an evocative and thought-provoking opening track that sets the stage for the rest of the album. The track’s exploration of mental illness is a theme that is still relevant today, and Pink Floyd’s ability to capture the complexity of the subject matter is a testament to their artistry. Mental illness is something that most of us can never truly grasp, but Pink Floyd assures us that this album is a safe space for us to contemplate and reflect on this important topic.

Track 2 – “Breathe (In the Air)” (Score: 10/10)

Writer(s): Roger Waters, Richard Wright, David Gilmour

Producers(s): Pink Floyd

“Breathe (In The Air)” is a masterpiece of psychedelic rock that perfectly encapsulates the band’s iconic sound. One of the standout elements of the track is David Gilmour’s subdued vocals, which are enveloped by the lush production of the song. The result is a dreamy and ethereal atmosphere that transports the listener to another world.

The track’s lyrics explore the themes of life, death, and the momentary nature of existence. The use of slide guitar in the track is particularly noteworthy, as it creates a sense of ebb and flow that parallels the tides of life. The slide guitar’s undulating melody is reminiscent of the ups and downs of life, and it perfectly captures the feeling of riding the wave of existence.

As the song progresses, it builds in intensity, with Gilmour’s guitar solo serving as a cathartic release. The solo is a testament to Gilmour’s technical proficiency as a guitarist, and it perfectly complements the song’s themes of living life to the fullest.

For long, you live and high you fly / But only if you ride the tide / And balanced on the biggest wave / You race towards an early grave.

Pink Floyd, “Breathe (in the Air)”
  • These lines are an evocative reminder of the transitory nature of existence and the importance of balance in life. The first line, “For long, you live and high you fly,” speaks to the idea that life is fleeting and that it is important to make the most of the time we have. The second line, “But only if you ride the tide,” suggests that it is only through knowing how to balance life that you could truly learn to live it to the fullest. Just like how surfers need to learn how to ride the waves, we need to learn how to navigate the ups and downs of life. The third line, “And balanced on the biggest wave,” is a reference to the idea of finding balance in life. It is only by being balanced that we can truly appreciate the highs and lows of life. The biggest wave represents the pinnacle of our existence, and being balanced on it means that we are able to ride the wave to its fullest potential. The final line, “You race towards an early grave,” is a reminder that even when we do find balance in life, death still looms over us. No matter how balanced we are, death will come for us eventually. It is this paradoxical nature of life that makes it both beautiful and tragic.

Track 3 – “On the Run” (Score: 10/10)

Writer(s): David Gilmour, Roger Waters

Producers(s): Pink Floyd

The song is a thrilling and chaotic instrumental journey that transports the listener through a variety of soundscapes and emotions.

The use of sound effects in the song is particularly noteworthy, as it creates a sense of being in an airport and symbolizes the band’s life on tour. The sounds of footsteps, announcements, and rushing crowds serve as a fitting backdrop to the fast-paced, frenetic energy of the track.

As the song progresses, it builds in intensity, with the synth producing a quick-paced rhythm that parallels the message the track is trying to evoke. The frenzied energy of the music is a perfect representation of the feeling of being constantly “on the run,” which is a prevalent theme in western culture. The track is a poignant reminder of how we often find ourselves rushing from one thing to another, always trying to keep up with the fast-paced world around us.

The track finishes off with some sort of cosmic explosion, which adds a fitting conclusion to the frenzied journey that the song takes the listener on. The explosion serves as a metaphor for the explosive energy that exists within all of us, and the chaos and beauty that can result when that energy is unleashed.

Track 4 – “Time” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Time” is a powerful track that explores the central themes of the passage of time and aging. The song begins with the sound of clocks ticking, serving as a reminder that time is constantly passing us by. The lyrics of the track speak to the painful realization that our time on earth eventually runs out and everything we experience is temporal.

The song speaks to the concept of waiting for someone or something to show us the way, rather than taking charge of our own lives and creating our own path. It emphasizes the frailty and futility of life, and how we often spend most of our life waiting for somebody else to guide us.

The lyrics of “Time” also touch on the way our perception of time changes as we age. When we are young, we cannot wait to grow up and experience all that life has to offer. But as we grow older, we often wish we could turn back time and relive the moments that have passed us by.

The track also speaks to the unpredictability of death and how it can strike at any moment. The lyrics encourage listeners to enjoy the tiny snippets of memories in life and cherish each moment, as we never know when our time may be up.

Towards the end of the track, the lyrics transition to “The Great Gig in the Sky,” symbolizing the journey of life coming to an end and transitioning to the afterlife.

You are young and life is long and there is time to kill today / And then one day you find ten years have gone behind you / No one told you where to run, you missed the starting gun

Pink Floyd, “Time”
  • In these lines, we hear the painful realization that our time on earth eventually runs out and that everything is temporal. For me, these lyrics hit home as I have had to navigate life on my own without much guidance. I have always yearned for someone or something to show me the way, but these lyrics remind me that the responsibility ultimately falls on my own shoulders. The line “No one told you where to run, you missed the starting gun” speaks to the idea that we spend most of our life waiting for somebody to walk us through the right path instead of actually spending time to create that path ourselves as mentioned earlier. This is a common struggle that many people face, as we often feel lost and uncertain about our future.

Track 5 – “The Great Gig in the Sky” (Score: 10/10)

Writer(s): Richard Wright, Clare Torry

Producers(s): Pink Floyd

“The Great Gig in the Sky” is a powerful track that offers a unique perspective on the various stages of life, from birth to death. The soaring vocals, performed by the talented Clare Torry, are particularly noteworthy as they parallel the various stages of life and evoke a wide range of emotions.

The track opens with the sound of a heartbeat, which serves as a metaphor for the beginning of life. As the vocals begin, they start off as a gentle hum, which represents the innocence and purity of a newborn baby. However, as the track progresses, the vocals become more powerful and intense, culminating in a powerful wailing that symbolizes the pain and uncertainty of life.

As the track continues, the vocals shift from screaming and wailing to a peaceful hum, which is analogous to the comfort of death. The peacefulness at the end of the track is particularly striking, as it represents the certainty of death, which is something that all of us will eventually face.

Throughout the track, there is a sense of uncertainty and fear, which is particularly evident in the screaming and wailing. This uncertainty is a reflection of the way that life can often feel scary and unpredictable, especially when we are faced with new challenges or transitions. However, there is also a sense of comfort in the fact that death is certain and final, which offers a sense of closure and peace.

Track 6 – “Money” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Money” is a powerful commentary on the obsession with material wealth and greed in our society. It is a track that is rich with symbolism and references, and it speaks to the darker aspects of our culture’s relationship with money and success.

One of the most distinctive features of “Money” is its opening sound effect, which is a “cash register” that matches the rhythm of the jazzy guitar riff. This sound effect is used to great effect throughout the track, reminding the listener of the central theme of material wealth and how it can become an obsession.

The lyrics of the song are similarly focused on wealth and luxury, with mentions of cars, caviar, and owning a football team. The saxophone solo that follows further reinforces this idea, as the instrument is often associated with sophistication and refinement.

However, the track is not a celebration of wealth and success but rather a critique of it. The lyrics highlight the destructive impact of greed and consumerism on society, and the saxophone solo takes on a more frenzied tone towards the end, hinting at the chaos and corruption that often accompany such pursuits.

Ultimately, “Money” is a stark reminder that material wealth and success are not the key to happiness or fulfillment. It serves as a warning against the dangers of unchecked capitalism and consumerism, and reminds us that true value lies in the relationships we build and the experiences we share.

Money it’s a crime / Share it fairly, but don’t take a slice of my pie

Pink Floyd, “Money”
  • These lyrics provide a poignant commentary on the greed and materialism that characterizes capitalist societies. The line “Money, it’s a crime” is particularly significant, as it highlights how people are willing to do whatever it takes to accumulate wealth, even if it means committing unethical or illegal acts. The next line, “Share it fairly, but don’t take a slice of my pie,” is a direct response to the socialist ideal of wealth redistribution. The lyrics suggest that the wealthy are willing to let others have a small taste of their wealth, but are ultimately unwilling to share it fairly. This is a reflection of the way that the upper class in our society often allows the rest of us to experience only the crumbs of their wealth, while ensuring that the vast majority of it remains concentrated in their own hands. The lyrics of “Money” also remind us of the double standard that exists when it comes to charitable giving. While celebrities and other wealthy individuals often encourage their fans to donate to various causes, they themselves are often hesitant to part with their own money. This reinforces the idea that the wealthy are more interested in maintaining their own wealth and status than in contributing to the greater good.

Track 7 – “Us and Them” (Score: 10/10)

Writer(s): Roger Waters, Richard Wright

Producers(s): Pink Floyd

This song is a powerful commentary on the nature of conflict and the human experience. The song opens with a mellow, almost dream-like melody that is reminiscent of a peaceful evening, setting the stage for a powerful exploration of war and its consequences. The lyrics of the song speak to the theme of polarization in terms of belief and solipsism, highlighting the tendency of people to believe that their perspective is the only one that matters. This leads to conflict, as people become entrenched in their positions and refuse to see things from another’s perspective. The song also touches on the themes of power, authority, and control, with the idea that these are often the underlying causes of war and social inequality. People fight over resources and wealth, often at the expense of others’ lives, with no regard for the human cost. The chorus of the song is climactic and the vocalist delivers the lines in an almost shouty manner like a battlecry, emphasizing the idea of conflict and war. However, the song also features a saxophone solo that is like a party and get-together, highlighting the possibility of peace over war. The saxophone solo creates a sense of camaraderie, as if soldiers are coming together to forget about war for a brief moment. The lyrics also touch on the futility of war, the suffering, and pain that it brings. The song reminds us that war is not a tragic occurrence, but rather a futile event that people just do every day. This perspective makes war scarier, as it suggests that it is simply a normal part of life, something that people have come to accept and expect.

Us and them / And after all / We’re only ordinary men

Pink Floyd, “Us and Them”
  • These words speak to the concept of the differences that exist between groups of people and the need to recognize our shared humanity despite these differences. The song highlights the various ways in which people are divided and polarized based on their beliefs, social status, and other factors. However, the lyrics suggest that despite these differences, we are all human beings with the same basic needs, desires, and emotions. The phrase “us and them” implies that there are groups of people who are divided from each other, with each group seeing themselves as separate from the other. This enforces the idea of isolation or being separated from a group of people you do not belong to or you do not identify any commonalities with. However, the following line “And after all, we’re only ordinary men” serves to unite both groups, emphasizing the fact that everyone is just a regular human being, regardless of what group they belong to. This line is a reminder that we are all the same beneath the surface and that it is important to recognize our shared humanity. The lyrics can also be interpreted as a call for empathy and understanding. By recognizing that we are all just ordinary human beings, the song suggests that we need to be more compassionate towards each other and strive to understand our differences. The song encourages listeners to look beyond the surface-level differences and recognize the deeper similarities that exist between all people. Furthermore, the lyrics suggest that no one is superior to others. Despite the differences that exist between groups of people, everyone is just an ordinary person with flaws and imperfections. This is an important message, as it reminds listeners that we are all equal and deserve to be treated with respect and dignity.

Track 8 – “Any Colour You Like” (Score: 10/10)

Writer(s): David Gilmour, Nick Mason, Richard Wright

Producers(s): Pink Floyd

The track opens with a captivating synth sound that almost sounds like a spaceship taking off into an unknown realm. As the track progresses, the sound sequence of the synths and guitars creates a dreamlike soundscape that transports the listener to another world.

The synths and guitars blend seamlessly together, creating a surreal atmosphere that feels like you’re navigating through a cosmic matrix or exploring the depths of space. The track feels like a journey through a tesseract, a four-dimensional cube that allows travel through space and time.

One of the most notable aspects of the track is the instrumental sequence that sounds like two guitars talking back and forth with each other. The guitars are almost like two characters in a conversation, each with their own voice and personality. The sequence is a testament to Pink Floyd’s musical prowess, as they are able to create a powerful and emotional connection with the listener without any lyrics.

Track 9 – “Brain Damage” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Brain Damage” is a powerful song that delves into the topic of mental illness. The track features soaring backing vocals and has a cathartic feel to it that is both engaging and powerful. The lyrics touch on themes of self-harm, self-destruction, and isolation, as well as the consequences of succumbing to the voices inside your head.

One of the most striking features of “Brain Damage” is how it manages to capture the feeling of insanity and mental instability. The lyrics make references to “lunatic” and “madman” and speak to the idea of losing control of one’s own thoughts and emotions. The imagery is dark and unsettling, painting a picture of a person trapped in their own mind.

The song also touches on the topic of self-harm and suicide, with lines such as “The lunatic is in my head” and “The lunatic is on the grass” creating an image of a person who is on the brink of losing control. There is a sense of desperation and hopelessness in the lyrics that is both poignant and deeply affecting.

In my personal opinion, “Brain Damage” is one of the most lyrically-complex tracks off the album. The song is full of ambiguities and multiple interpretations, making it a fascinating and rewarding piece to analyze. It’s a song that speaks to the struggles that many people face when dealing with mental illness and the need to seek help and support when things get tough.

And if your head explodes with dark forebodings too / I’ll see you on the dark side of the moon

Pink Floyd, “Us and Them”
  • The line “And if your head explodes with dark forebodings too” suggests a sense of impending doom or a feeling of being overwhelmed by negative thoughts or emotions. The image of the head exploding is a powerful metaphor for the way that mental illness can take over and lead to a breakdown in one’s ability to cope. Moreover, the lyrics also suggest that the mind can be a dangerous place, with thoughts and emotions that can lead to self-destructive behavior. The phrase “I’ll see you on the dark side of the moon” is a poignant and powerful way of expressing empathy with someone who is struggling with mental illness. It suggests that the speaker understands the depths of the other person’s pain and is willing to go with them to the darkest places of their mind. The line can also be seen as a farewell to someone who has lost their battle with mental illness and is no longer able to carry on.

Track 10 – “Eclipse” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Eclipse” serves as a perfect ending to the album. The opening line, “All that you touch and all that you see / Is all your life will ever be,” sets the stage for a reflection on the transient nature of life and the importance of perspective. The lyric “There is no dark side of the moon really” alludes to the idea of deception and perceived reality, suggesting that things are not always as they appear. Throughout the song, Pink Floyd describes all the things that an individual or all of humanity experiences, like life flashing before your eyes. The eclipse serves as a metaphor for an overthrow of the natural order of things or like unexpected and sudden changes that can overturn your life. The idea of an eclipse also brings to mind deep emotional tides, where everything can be plunged into darkness and then re-emerge into light. The final line, “And everything under the sun is in tune / But the sun is eclipsed by the moon,” serves as a poignant reminder of the cyclical nature of life and how everything is interconnected. The moon’s temporary overshadowing of the sun represents moments of darkness and uncertainty that we all face, but eventually, the sun will shine again.

But the sun is eclipsed by the moon

Pink Floyd, “Eclipse”
  • The line speaks to the idea that even though the sun is a symbol of warmth, light, and life, it can still be eclipsed and overshadowed by the moon, which is often associated with darkness and the unknown. This idea of the light being overcome by darkness can be interpreted in many ways. The first interpretation is that the line sheds a light on the darkness, nothingness, and death that is a natural part of life. The sun, which represents life and warmth, is eclipsed by the moon, representing the darkness and the unknown. This could be seen as a metaphor for the inevitability of death and the idea that life may be just a fleeting moment in the grand scheme of things. The eclipse represents the moment when life is overtaken by death and darkness, and the line is a reminder that this moment is something that we all must face. Another interpretation is that the line speaks to the idea that an individual’s existence is a mere speck of dust in all of the universe’s timeline. The sun has been around for billions of years, and will continue to be around for billions more, while human life is a tiny blip on the cosmic timeline. This could be seen as a reminder of the impermanence of life and the idea that we are all just passing through.

To wrap it all up…

The album’s use of technology and studio techniques is also noteworthy, as Pink Floyd utilized state-of-the-art equipment to create the atmospheric soundscapes that are a hallmark of the album. From the use of sound effects and samples to the innovative use of multi-track recording and tape loops, The Dark Side of the Moon pushes the boundaries of what was possible in the studio. It truly is a timeless classic that has stood the test of time and remains one of the greatest albums of all time. Its innovative use of technology, powerful lyrics, and immersive soundscapes make it a must-listen for any music fan.

OVERALL: 10/10

More music reviews coming up! This might be something that I will do weekly, so be sure to send me some music recommendations down in the comments below!
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Notes to Self 📝

Snippets of wisdom – a work in progress

I’ll add more to these as I grow older and discover more about the inner workings of the universe.

  • Your time will come, young lady. Do not be pressured by the achievements of your peers. Avoid comparing yourself to others. Life is neither a race nor a competition—society just made you believe it that way.
  • Deliberate practice. Do your best at something you do not even want to do. Grow into the role. Everything is an opportunity to learn something about how the universe works.
  • Never lose hope. There is always light at the end of the tunnel. No matter how bad the circumstances are as of the moment, look back on the trials you overcame. Only your present self can survive the challenges you are facing right now.
  • Be stoic. Do not let emotions hinder your decisions. Build a healthy relationship with your emotions so you become an expert in controlling them.
  • Get yourself out there. There is no greater teacher than experiences and the only way to gain them is getting yourself out there.
  • Empathize. Acknowledge other people’s thoughts, feelings and emotions. Listen to what others are saying—you do not know everything.

Adele’s “30”: A Track-by-Track Album Review

Adele 30 Album Cover
Album Cover as Photographed by Raven B. Varona

It has been over four months since Adele’s latest release—her highly anticipated comeback record, 30. There has certainly been a lot of hype prior to the record’s release, from the cryptic ’30’ billboards popping up all around the world to a series of radio interviews, TV specials, and media appearances. As an Adele fan since 2011, or a Daydreamer if you may call me, I am very excited for this new release (and era) from one of my favourite mainstream artists.

Without further ado, let’s dive right in to Adele’s 30!

Track 1 – “Strangers by Nature” (Score: 8.1/10)

Writer(s): Adele Adkins, Ludwig Goransson

Producers(s): L. Goransson

Whimsical. That is one word that I’d use to describe this track. It’s an orchestra-packed piece backed by Adele’s haunting vocals and chilling harmonies laying the foundation for the “strange” first note of the chorus. I love the overall jazzy foundation of the track and its unpredictable chord progressions, most especially that ‘weird’ chord or melodic shift as she sings the title line. This is probably my favourite Adele opening track on par with Rolling in the Deep from 21.

Favourite Lyric: “I’ll be taking flowers to the cemetery of my heart / For all of my lovers in the present and in the dark”

Explanation – What a striking opening line! It projects a dark imagery of failed past romantically relationships and an almost pessimistic perception on present romance, specifically with the choosing ‘cemetery’ as the setting of the track. At the same time, it shows maturity in a way that it’s not about accusing others of their mistakes but holding yourself just as accountable in the failure of a relationship; hence, the use of ‘flower’ as the main symbolism.

Track 2 – “Easy on Me” (Score: 8.0/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track is simple yet effective. The intro piano riff is pure musical ingenuity. It’s another signature Adele ballad which is a kind of music that the general public has been missing in the charts and radio right now. It’s sonically similar to Hello from 25 given that Adele worked with the same producer for this track. The ‘river and gold’ metaphor is pretty straightforward but is lacking in poetic nuance.

Favourite Lyric: “There ain’t no room for things to change / When we are both so deeply stuck in our ways”

Explanation – These words are pure facts. It’s pretty self-explanatory: the impossibility of changing or moving forward when one is stubborn.

Track 3 – “My Little Love” (Score: 8.8/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track was a heavy listen. Those voice notes had me bawling my eyes out, especially the outro where she opens up about the feeling of loneliness since the breakup of her marriage. I was not able to finish this song fully on the first listen. It took me a couple more repeats before I could embody the emotional stability I had to have to listen to this track in its entirety. The track in itself has distinct R&B elements and incorporates some savoury harmonies in the chorus. There’s an interesting play in the song structure as well which is something new from Adele.

Favourite Lyric: “I wanted you to have everything I never had / I’m so sorry if what I’ve done makes you feel sad”

Explanation – These words, and the song in its entirety, is addressed to her (Adele’s) son. The first line, “I wanted you to have everything I never had”, is something parents often tell their children. Expanding more on this line, there are even times where parents live out their dreams through their children. These words overall perfectly describe a complicated parent-child emotional dynamic.

Track 4 – “Cry Your Heart Out” (Score: 7.2/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

The instrumentals, harmonies, and reggae-tinged rhythm in this track are reminiscent of her debut album 19, released back in 2008. Its upbeat production masks the depressing lyrics which should not go unnoticed for this review. On the first listen, I was just vibing to the rhythm and dancing along with the beats. That’s when you begin to read through the lyrics where it starts to hit home.

Favourite Lyric: “When you’re in doubt, go at your own pace”

Explanation – Life is not a race. Do things your own way in times of utmost uncertainty. Do not let anybody tell you how to live your own life. A simple yet effective message.

Track 5 – “Oh my God” (Score: 8.9/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track is by far the poppiest and radio-friendly sounding. It highlights some vocal sampling and layering which gives it a refreshing and crisp vocal production—at least from Adele. I don’t really have much to say about this track other than it shows off how Adele is able to experiment on her sound.

Favourite Lyric: “I am a grown woman and I do want I want to do”

Explanation – These words have a fairly similar message to the previously-mentioned lyrics but this time there is a tinge of aggressiveness to it. It can also be related to how much media scrutiny Adele has faced during her well-publicized divorce. Notably, with how she changed her appearance and suddenly people had a lot to say with how she is not relatable anymore, she’s gone too “Hollywood”, and all those sort of things people say to a celebrity they don’t even know personally. This statement is a slap to the media’s face—”I am an adult and let me be in control of my own life!”

Track 6 – “Can I Get It” (Score: 6.9/10)

Writer(s): Adele Adkins, Max Martin, Shellback

Producers(s): M. Martin, Shellback

This was my least favourite track from the album. Its reminiscent of Send My Love (To Your Are Lover) from 25 It also sounds radio-friendly and poppy but the production feels outdated and there are bunch of lyrical clichés. But then again, it’s Adele’s voice that makes even the worst song listenable.

Favourite Lyric: “Pave me a path to follow / And I’ll tread any dangerous road”

Explanation – When someone guides you to the right direction, the destination will be reached no matter how much hindrances are there along the way. That is the main message these lyrics project. It is so much easier when we have someone guiding us as we walk the difficult and dangerous journey of life.

Track 7 – “I Drink Wine” (Score: 10/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track is a personal favourite. It has gotten me hooked from the first listen. Everything about it is just perfect. The lyrics are brutally honest and a total tear-jerker. Lyric-wise, the overall theme of the song is finding out how your life did not turn out the way you envisioned it to be. Melody-wise, I love how the chorus is sung differently three times and the intro piano riff is quite enchanting.

Favourite Lyric: “They say to play hard, you work hard / Find balance in the sacrifice / Yet I don’t know anybody who’s truly satisfied”

Explanation – These words are just pure facts. As a child, you’ve always wanted to grow up right away and you looked at adults as people who have life all figured out; but once you reach adulthood yourself, you realize that life is a never-ending and pointless race. There are times we seek advice from others who seem to know-it-all only to find out the are just as clueless as you. So it’s true, nobody knows what they’re doing after all.

Track 8 – “All Night Parking” (with Erroll Garner) [Interlude] (Score: 8.5/10)

Writer(s): Adele Adkins, Erroll Garner

Producers(s): Joey Pecoraro, Greg Kurstin

Adele + lo-fi vibes is a chef’s kiss. This might be my new study background music. It’s totally refreshing to hear Adele sing over a trap beat and low fidelity music. Once again, the jazzy elements and vibes are evident in this track with the piano interpolation from Erroll Garner, a late infamous jazz pianist. Dreamy is the word to describe this track.

Favourite Lyric: “When I’m out at a party / I’m just excited to get home

Explanation – As an introvert, I relate heavily to these lyrics. Being out at a party (although I’ve rarely ever been to one) drains so much energy that you can’t wait to get home and recharge by taking a nap. Who knows? Adele might be an introvert like me ¯\_(ツ)_/¯

Track 9 – “Woman Like Me” (Score: 8.8/10)

Writer(s): Adele Adkins, Inflo

Producers(s): Inflo

This track encapsulates a classy and Adele-ish way of dissing an ex-lover. While other artists love to plainly nag about their ex’s lack of effort and stubborn ways throughout their relationship, Adele takes it to another level. A lot of feminist undertones in the lyrics capturing raw emotions.

Favourite Lyric: “Complacency is the worst trait to have, are you crazy? / Consistency is the gift to givе for free and it is key / To ever keep, to ever keep a woman like me”

Explanation – Complacency is not a good attribute because it is simply the unwillingness to improve oneself. It’s basically just settling for what’s “okay” and not strive to be better or be the best. It is not an ideal trait to have in a relationship because it is what keeps it stagnant. Consistency, however, is something that we should value in a serious relationship because it branches out into a myriad of exemplary qualities such as desire, dependability, predictability, and most importantly, trust.

Track 10 – “Hold On” (Score: 9.1/10)

Writer(s): Adele Adkins, Inflo

Producers(s): Inflo

This track will be a mental health anthem. It is this big prayer-like, gospel, and choral song that starts off calm, continuously builds up, and then abruptly shoots up climactic final chorus where Adele belts a meaty note in the fifth octave. Once again, this song reflects the vulnerability Adele is not afraid to share to her audience. One key detail I notice from this song is how she sings the word “hold” while also holding the note which is quite a nice touch.

Favourite Lyric: “Let time be patient / Let pain be gracious”

Explanation – In this fast-paced world, time has become our enemy. Many of us realize that we do not have much time to do what we want to do and achieve what we want to achieve as we grow older. These lyrics look at time in an optimistic way. It’s giving a message of hope where it tells us to “let time be patient” or to not rush things over because there is always a right time for things in life. The process after pain is healing and time is the greatest healer of all.

Track 11 – “To Be Loved” (Score: 10/10)

Writer(s): Adele Adkins, Tobias Jesso Jr.

Producers(s): T. Jesso Jr., Shawn Everett

This track is the standout of the album for me. The best vocal performance I’ve ever heard in 2021. The lyrics cut deep without appearing pretentious in doing so. The ‘home’ analogy or metaphor recurring throughout the lyrics is a genius element tying the album altogether. Nothing else to say about this song. It’s a masterpiece. This is Adele at her rawest and most vulnerable state.

Favourite Lyric: “To be loved and love at the highest count / Means to lose all the things I can’t live without”

Explanation – To feel love at the fullest and give your whole self to somebody means to sacrifice or lose something in you. Love is all about sacrifices. Once again, these lyrics are straightforward and self-explanatory. The message is some thing we can all relate to at one point or another.

Track 12 – “Love is a Game” (Score: 9.2/10)

Writer(s): Adele Adkins, Inflo

Producers(s): Inflo

The perfect choice of album closer. It has this grandiose production that is rich in orchestral elements. The string arrangement is insane. I read from Adele’s Vogue cover that she made this track as a reminiscent of old Hollywood soundtracks. That’s exactly how this song feels. It captures the old Hollywood romance movies’ grand and cinematic vibe, especially the end of a movie.

Favourite Lyric: “I can love me / I can love again / I love me now like I loved him

Explanation – I love how this album closes in a positive way, realizing how self-love is the greatest form of love. You can’t love someone or give yourself full to them without loving and accepting yourself first. The best love is the love that comes from within.

To wrap it all up…

As I’ve said, I am a fan of Adele for almost a decade now. To see her grow as an artist and as a person through her music is one of the best experiences I had in life. The whole album is very cohesive and flows like a book. I also love how it has the feel of being able to catch up with a friend you haven’t seen in a while.

I have never experienced a single romantic relationship at all yet I was able to get a good grip of what it’s like just by listening to her music. I am by no means an expert in music or a critic, I simply love me some good albums. It certainly is one of the strongest releases this year. One key takeaway I have for her music is that she is becoming a master (or is already one) at writing about or expressing her emotions. There’s just so much self-awareness and introspection in her songwriting. A major downside is that I am honestly not a fan of the artwork and from this point forward, I really want to see her step it up when it comes to her album covers.

OVERALL: 8.6/10

Disclaimer: I just realized my personal score for this album is almost the same as how critics scored it. Does this mean I can be a professional music critic now? If so, then watch out Anthony Fantano!

Also, I was finishing this write-up as I was listening to Pink Floyd’s The Dark Side of the Moon, a totally different record with an entirely different vibe. Can you imagine how much of a struggle this was? You tell me.

Another disclaimer, the 30 vinyl I ordered from Adele’s site arrived slightly damaged which will probably haunt me forever. The good thing is that the records themselves are of excellent quality and sounded great.

More music reviews coming up! This might be something that I will do weekly, so be sure to send me some music recommendations down in the comments below!

Getting Good Seats at Ticketmaster | Lorde’s Solar Power Tour (my story)

Good seats = affordable + near the stage

Interrupting life’s normalcy, the COVID-19 pandemic has suspended live events—such as concerts, games, and theatre shows—for quite a while now. Luckily, with the arrival of vaccines, live events are now being made possible (and perhaps, rescheduled) in the next year of 2022. One particular concert I am most excited with, my very first one to attend as well, is Lorde’s “Solar Power” Tour for her new album of the same name. Lorde’s music is one that I grew up with and seeing her live will be an absolute dream.

Ticket details page on TicketMaster

Now, obtaining tickets for in-demand live shows was next to a Hunger Games-like struggle and my dreams of seeing Lorde was almost left to shambles—all thanks to TicketMaster’s crappy services! Praise be to my god-tier IT skills though I was able to find ways to achieve one of my lifelong ambitions.

The following lists some great tips to get good tickets for any of your favourite live events (inc. my “Solar Power” story as an example):

  1. If you’re entering a ticket pre-sale, make sure you have your code already copied to your clipboard and ready to “CTRL + V” once required || I’ve been subscribed to Lorde’s mailing list for a while now and she sent us subscribers the pre-sale code the day before so I was all good with this part (tee-hee!)
  2. Arrive on TicketMaster’s site at least 30 minutes early before the pre-sale’s scheduled time
  3. Sign in and enter your paying credentials right away || I made an account and signed in a day before pre-sale and left my tab open overnight. I also filled in my payment account details to spare some time writing out all the digits of my credit card account. Apparently, TicketMaster does not log you out automatically after some time
  4. Enter the queue ASAP once the link opens, as in RIGHT AWAY!!
  5. Wait for your turn and once you’re in, do not click on the ticket selection at the right side of the page. From that section, ticket availability is not shown accurately. Instead, navigate through the venue seating on the left side of the page. Click on the seat that is available and is within your budget.
  6. The most important step (do not skip this part!!!)
  • Most concerts, and other live events, have their tickets sell out pretty fast
  • Don’t get me wrong! I almost lost hope, and my cool, when I found out I was 1795th in line out of a 3000-seat venue. Think about my probability or at least “luck” of getting front row seats—zero to none!
  • It’s been 20 minutes and I’m still on queue. Beyond disheartened at this point upon hearing Twitter news that the tickets already sold out a few minutes after pre-sale began
  • I still held on to my optimistic and stubborn self though
  • Now I’m in, there was one mezzanine seat available, only ONE! It was selling for $187. I selected and paid for it as the rest were orchestra (front row) seats at a high cost of $400+ which was crazy and waaaaay beyond the price point I’m aiming for
  • I purchased the one lucky seat and paid. Already more than ecstatic with the fact that I’ll be going to the very first music concert I’ve ever been in my entire life, and it’ll be by one of my favourite artists of all time, LORDE
  • We’re not done here yet
  • The skeptical side of me felt that there was something shady going on with this ticketing bamboozle-ness. Like, there’s no way all seats are gone now and the pre-sale goes by that fast like hell no!
  • I REFRESHED THE PAGE!!!
  • Let me repeat that ladies and gents, I REFRESHED THE PAGE!!!
  • This time, the whole seating arrangement diagram crappery restarted and there were more front row seats available at a much lower cost—same price as my mezzanine seat ($187 vs. the $400+ earlier).
  • I purchased one for myself
  • Then again I felt dissatisfied because of feeling bad I’ll be going alone
  • I REFRESHED THE PAGE once again and found a couple of better seats even neared to the stage and are together. I got these two for me and my mom
  • I have four tickets now (yikes!) Not gonna lie though I’m planning on reselling the two of them just in case my dad and bro don’t wanna go with us
  • I yeeted my way out of the site cursing TicketMaster’s shady side of business (and the scalpers and bots)

The key is: REFRESH THE PAGE!

‘Aight imma head out,

J (^_^)>