Author: J. Gabrielle

Hi, I'm Joan. I write to voice out my truth, express my musings of the world around me, and of course, to simply kill time. While I am constructing this tiny intro, it's raining heavily outside. I'm on my desk just about to transfer inside my closet because the lightning I'm seeing from my window scares me. Other than writing, I am also a science student with a wide range of interests. I am overall obsessed with space-like aesthetics—galaxies, planets and constellations. Oh, and one last thing, I am a sensitive cutie who worships the sun (aka a Lorde stan!)

Pink Floyd’s “The Dark Side of the Moon”: A Track-by-Track Album Review

On By J. GabrielleIn musicLeave a comment
Album Cover designed by Hipgnosis and George Hardie

Pink Floyd is an English progressive rock band well-known for their atmospheric soundscapes and politically-charged songs. Their most popular release, “The Dark Side of the Moon”, has forever shaped the landscape of modern music with its introspective lyrics, experimental production, and innovative use of technology.

The Dark Side of the Moon, released in 1973, is one of the greatest albums of all time as it has received critical acclaim from fans and music critics alike. The album is a cosmic voyage through the mind and the human experience, exploring themes of life, death, and the human condition. Its innovative use of sound effects, spoken word samples, and orchestration creates a haunting and immersive atmosphere that transports the listener to an alternate yet familiar sphere of reality. Another notable element of the album is the seamless track-by-track segue in-between songs which stitches it altogether in a cohesive flow.

Pink Floyd is one of my all-time favourite bands and this album is one of my all-time favourites. I am well aware that the band has arguably better albums in terms of musicality and complexity, but this album holds a special place in my heart⁠—it was the first album I fully heard on vinyl.

Track 1 – “Speak to Me” (Score: 10/10)

Writer(s): Nick Mason

Producers(s): Pink Floyd

“Speak to Me” is a mesmerizing instrumental that serves as the opening track for the album. The band’s decision to start the album with an instrumental is a bold choice that immediately draws the listener into their world of sound and sets the mood for what’s to come in the entire album.

As the track progresses, it introduces some of the recurring themes of the album, such as madness and mental health. The belted notes from “The Great Gig in the Sky” add a haunting layer to the track, while the clock sound effects from “Time”, cash register sound effects from “Money”, and train tracks sound effects create a sense of unease and disorientation.

The repetition of the word “mad” is particularly striking and introduces us to the complex nature of mental health and mental illness. The line “it’s hard to why you’re mad even if you’re not mad” is a poignant reminder of the challenges of understanding and communicating about mental illness.

Overall, “Speak to Me” is an evocative and thought-provoking opening track that sets the stage for the rest of the album. The track’s exploration of mental illness is a theme that is still relevant today, and Pink Floyd’s ability to capture the complexity of the subject matter is a testament to their artistry. Mental illness is something that most of us can never truly grasp, but Pink Floyd assures us that this album is a safe space for us to contemplate and reflect on this important topic.

Track 2 – “Breathe (In the Air)” (Score: 10/10)

Writer(s): Roger Waters, Richard Wright, David Gilmour

Producers(s): Pink Floyd

“Breathe (In The Air)” is a masterpiece of psychedelic rock that perfectly encapsulates the band’s iconic sound. One of the standout elements of the track is David Gilmour’s subdued vocals, which are enveloped by the lush production of the song. The result is a dreamy and ethereal atmosphere that transports the listener to another world.

The track’s lyrics explore the themes of life, death, and the momentary nature of existence. The use of slide guitar in the track is particularly noteworthy, as it creates a sense of ebb and flow that parallels the tides of life. The slide guitar’s undulating melody is reminiscent of the ups and downs of life, and it perfectly captures the feeling of riding the wave of existence.

As the song progresses, it builds in intensity, with Gilmour’s guitar solo serving as a cathartic release. The solo is a testament to Gilmour’s technical proficiency as a guitarist, and it perfectly complements the song’s themes of living life to the fullest.

For long, you live and high you fly / But only if you ride the tide / And balanced on the biggest wave / You race towards an early grave.

Pink Floyd, “Breathe (in the Air)”
  • These lines are an evocative reminder of the transitory nature of existence and the importance of balance in life. The first line, “For long, you live and high you fly,” speaks to the idea that life is fleeting and that it is important to make the most of the time we have. The second line, “But only if you ride the tide,” suggests that it is only through knowing how to balance life that you could truly learn to live it to the fullest. Just like how surfers need to learn how to ride the waves, we need to learn how to navigate the ups and downs of life. The third line, “And balanced on the biggest wave,” is a reference to the idea of finding balance in life. It is only by being balanced that we can truly appreciate the highs and lows of life. The biggest wave represents the pinnacle of our existence, and being balanced on it means that we are able to ride the wave to its fullest potential. The final line, “You race towards an early grave,” is a reminder that even when we do find balance in life, death still looms over us. No matter how balanced we are, death will come for us eventually. It is this paradoxical nature of life that makes it both beautiful and tragic.

Track 3 – “On the Run” (Score: 10/10)

Writer(s): David Gilmour, Roger Waters

Producers(s): Pink Floyd

The song is a thrilling and chaotic instrumental journey that transports the listener through a variety of soundscapes and emotions.

The use of sound effects in the song is particularly noteworthy, as it creates a sense of being in an airport and symbolizes the band’s life on tour. The sounds of footsteps, announcements, and rushing crowds serve as a fitting backdrop to the fast-paced, frenetic energy of the track.

As the song progresses, it builds in intensity, with the synth producing a quick-paced rhythm that parallels the message the track is trying to evoke. The frenzied energy of the music is a perfect representation of the feeling of being constantly “on the run,” which is a prevalent theme in western culture. The track is a poignant reminder of how we often find ourselves rushing from one thing to another, always trying to keep up with the fast-paced world around us.

The track finishes off with some sort of cosmic explosion, which adds a fitting conclusion to the frenzied journey that the song takes the listener on. The explosion serves as a metaphor for the explosive energy that exists within all of us, and the chaos and beauty that can result when that energy is unleashed.

Track 4 – “Time” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Time” is a powerful track that explores the central themes of the passage of time and aging. The song begins with the sound of clocks ticking, serving as a reminder that time is constantly passing us by. The lyrics of the track speak to the painful realization that our time on earth eventually runs out and everything we experience is temporal.

The song speaks to the concept of waiting for someone or something to show us the way, rather than taking charge of our own lives and creating our own path. It emphasizes the frailty and futility of life, and how we often spend most of our life waiting for somebody else to guide us.

The lyrics of “Time” also touch on the way our perception of time changes as we age. When we are young, we cannot wait to grow up and experience all that life has to offer. But as we grow older, we often wish we could turn back time and relive the moments that have passed us by.

The track also speaks to the unpredictability of death and how it can strike at any moment. The lyrics encourage listeners to enjoy the tiny snippets of memories in life and cherish each moment, as we never know when our time may be up.

Towards the end of the track, the lyrics transition to “The Great Gig in the Sky,” symbolizing the journey of life coming to an end and transitioning to the afterlife.

You are young and life is long and there is time to kill today / And then one day you find ten years have gone behind you / No one told you where to run, you missed the starting gun

Pink Floyd, “Time”
  • In these lines, we hear the painful realization that our time on earth eventually runs out and that everything is temporal. For me, these lyrics hit home as I have had to navigate life on my own without much guidance. I have always yearned for someone or something to show me the way, but these lyrics remind me that the responsibility ultimately falls on my own shoulders. The line “No one told you where to run, you missed the starting gun” speaks to the idea that we spend most of our life waiting for somebody to walk us through the right path instead of actually spending time to create that path ourselves as mentioned earlier. This is a common struggle that many people face, as we often feel lost and uncertain about our future.

Track 5 – “The Great Gig in the Sky” (Score: 10/10)

Writer(s): Richard Wright, Clare Torry

Producers(s): Pink Floyd

“The Great Gig in the Sky” is a powerful track that offers a unique perspective on the various stages of life, from birth to death. The soaring vocals, performed by the talented Clare Torry, are particularly noteworthy as they parallel the various stages of life and evoke a wide range of emotions.

The track opens with the sound of a heartbeat, which serves as a metaphor for the beginning of life. As the vocals begin, they start off as a gentle hum, which represents the innocence and purity of a newborn baby. However, as the track progresses, the vocals become more powerful and intense, culminating in a powerful wailing that symbolizes the pain and uncertainty of life.

As the track continues, the vocals shift from screaming and wailing to a peaceful hum, which is analogous to the comfort of death. The peacefulness at the end of the track is particularly striking, as it represents the certainty of death, which is something that all of us will eventually face.

Throughout the track, there is a sense of uncertainty and fear, which is particularly evident in the screaming and wailing. This uncertainty is a reflection of the way that life can often feel scary and unpredictable, especially when we are faced with new challenges or transitions. However, there is also a sense of comfort in the fact that death is certain and final, which offers a sense of closure and peace.

Track 6 – “Money” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Money” is a powerful commentary on the obsession with material wealth and greed in our society. It is a track that is rich with symbolism and references, and it speaks to the darker aspects of our culture’s relationship with money and success.

One of the most distinctive features of “Money” is its opening sound effect, which is a “cash register” that matches the rhythm of the jazzy guitar riff. This sound effect is used to great effect throughout the track, reminding the listener of the central theme of material wealth and how it can become an obsession.

The lyrics of the song are similarly focused on wealth and luxury, with mentions of cars, caviar, and owning a football team. The saxophone solo that follows further reinforces this idea, as the instrument is often associated with sophistication and refinement.

However, the track is not a celebration of wealth and success but rather a critique of it. The lyrics highlight the destructive impact of greed and consumerism on society, and the saxophone solo takes on a more frenzied tone towards the end, hinting at the chaos and corruption that often accompany such pursuits.

Ultimately, “Money” is a stark reminder that material wealth and success are not the key to happiness or fulfillment. It serves as a warning against the dangers of unchecked capitalism and consumerism, and reminds us that true value lies in the relationships we build and the experiences we share.

Money it’s a crime / Share it fairly, but don’t take a slice of my pie

Pink Floyd, “Money”
  • These lyrics provide a poignant commentary on the greed and materialism that characterizes capitalist societies. The line “Money, it’s a crime” is particularly significant, as it highlights how people are willing to do whatever it takes to accumulate wealth, even if it means committing unethical or illegal acts. The next line, “Share it fairly, but don’t take a slice of my pie,” is a direct response to the socialist ideal of wealth redistribution. The lyrics suggest that the wealthy are willing to let others have a small taste of their wealth, but are ultimately unwilling to share it fairly. This is a reflection of the way that the upper class in our society often allows the rest of us to experience only the crumbs of their wealth, while ensuring that the vast majority of it remains concentrated in their own hands. The lyrics of “Money” also remind us of the double standard that exists when it comes to charitable giving. While celebrities and other wealthy individuals often encourage their fans to donate to various causes, they themselves are often hesitant to part with their own money. This reinforces the idea that the wealthy are more interested in maintaining their own wealth and status than in contributing to the greater good.

Track 7 – “Us and Them” (Score: 10/10)

Writer(s): Roger Waters, Richard Wright

Producers(s): Pink Floyd

This song is a powerful commentary on the nature of conflict and the human experience. The song opens with a mellow, almost dream-like melody that is reminiscent of a peaceful evening, setting the stage for a powerful exploration of war and its consequences. The lyrics of the song speak to the theme of polarization in terms of belief and solipsism, highlighting the tendency of people to believe that their perspective is the only one that matters. This leads to conflict, as people become entrenched in their positions and refuse to see things from another’s perspective. The song also touches on the themes of power, authority, and control, with the idea that these are often the underlying causes of war and social inequality. People fight over resources and wealth, often at the expense of others’ lives, with no regard for the human cost. The chorus of the song is climactic and the vocalist delivers the lines in an almost shouty manner like a battlecry, emphasizing the idea of conflict and war. However, the song also features a saxophone solo that is like a party and get-together, highlighting the possibility of peace over war. The saxophone solo creates a sense of camaraderie, as if soldiers are coming together to forget about war for a brief moment. The lyrics also touch on the futility of war, the suffering, and pain that it brings. The song reminds us that war is not a tragic occurrence, but rather a futile event that people just do every day. This perspective makes war scarier, as it suggests that it is simply a normal part of life, something that people have come to accept and expect.

Us and them / And after all / We’re only ordinary men

Pink Floyd, “Us and Them”
  • These words speak to the concept of the differences that exist between groups of people and the need to recognize our shared humanity despite these differences. The song highlights the various ways in which people are divided and polarized based on their beliefs, social status, and other factors. However, the lyrics suggest that despite these differences, we are all human beings with the same basic needs, desires, and emotions. The phrase “us and them” implies that there are groups of people who are divided from each other, with each group seeing themselves as separate from the other. This enforces the idea of isolation or being separated from a group of people you do not belong to or you do not identify any commonalities with. However, the following line “And after all, we’re only ordinary men” serves to unite both groups, emphasizing the fact that everyone is just a regular human being, regardless of what group they belong to. This line is a reminder that we are all the same beneath the surface and that it is important to recognize our shared humanity. The lyrics can also be interpreted as a call for empathy and understanding. By recognizing that we are all just ordinary human beings, the song suggests that we need to be more compassionate towards each other and strive to understand our differences. The song encourages listeners to look beyond the surface-level differences and recognize the deeper similarities that exist between all people. Furthermore, the lyrics suggest that no one is superior to others. Despite the differences that exist between groups of people, everyone is just an ordinary person with flaws and imperfections. This is an important message, as it reminds listeners that we are all equal and deserve to be treated with respect and dignity.

Track 8 – “Any Colour You Like” (Score: 10/10)

Writer(s): David Gilmour, Nick Mason, Richard Wright

Producers(s): Pink Floyd

The track opens with a captivating synth sound that almost sounds like a spaceship taking off into an unknown realm. As the track progresses, the sound sequence of the synths and guitars creates a dreamlike soundscape that transports the listener to another world.

The synths and guitars blend seamlessly together, creating a surreal atmosphere that feels like you’re navigating through a cosmic matrix or exploring the depths of space. The track feels like a journey through a tesseract, a four-dimensional cube that allows travel through space and time.

One of the most notable aspects of the track is the instrumental sequence that sounds like two guitars talking back and forth with each other. The guitars are almost like two characters in a conversation, each with their own voice and personality. The sequence is a testament to Pink Floyd’s musical prowess, as they are able to create a powerful and emotional connection with the listener without any lyrics.

Track 9 – “Brain Damage” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Brain Damage” is a powerful song that delves into the topic of mental illness. The track features soaring backing vocals and has a cathartic feel to it that is both engaging and powerful. The lyrics touch on themes of self-harm, self-destruction, and isolation, as well as the consequences of succumbing to the voices inside your head.

One of the most striking features of “Brain Damage” is how it manages to capture the feeling of insanity and mental instability. The lyrics make references to “lunatic” and “madman” and speak to the idea of losing control of one’s own thoughts and emotions. The imagery is dark and unsettling, painting a picture of a person trapped in their own mind.

The song also touches on the topic of self-harm and suicide, with lines such as “The lunatic is in my head” and “The lunatic is on the grass” creating an image of a person who is on the brink of losing control. There is a sense of desperation and hopelessness in the lyrics that is both poignant and deeply affecting.

In my personal opinion, “Brain Damage” is one of the most lyrically-complex tracks off the album. The song is full of ambiguities and multiple interpretations, making it a fascinating and rewarding piece to analyze. It’s a song that speaks to the struggles that many people face when dealing with mental illness and the need to seek help and support when things get tough.

And if your head explodes with dark forebodings too / I’ll see you on the dark side of the moon

Pink Floyd, “Us and Them”
  • The line “And if your head explodes with dark forebodings too” suggests a sense of impending doom or a feeling of being overwhelmed by negative thoughts or emotions. The image of the head exploding is a powerful metaphor for the way that mental illness can take over and lead to a breakdown in one’s ability to cope. Moreover, the lyrics also suggest that the mind can be a dangerous place, with thoughts and emotions that can lead to self-destructive behavior. The phrase “I’ll see you on the dark side of the moon” is a poignant and powerful way of expressing empathy with someone who is struggling with mental illness. It suggests that the speaker understands the depths of the other person’s pain and is willing to go with them to the darkest places of their mind. The line can also be seen as a farewell to someone who has lost their battle with mental illness and is no longer able to carry on.

Track 10 – “Eclipse” (Score: 10/10)

Writer(s): Roger Waters

Producers(s): Pink Floyd

“Eclipse” serves as a perfect ending to the album. The opening line, “All that you touch and all that you see / Is all your life will ever be,” sets the stage for a reflection on the transient nature of life and the importance of perspective. The lyric “There is no dark side of the moon really” alludes to the idea of deception and perceived reality, suggesting that things are not always as they appear. Throughout the song, Pink Floyd describes all the things that an individual or all of humanity experiences, like life flashing before your eyes. The eclipse serves as a metaphor for an overthrow of the natural order of things or like unexpected and sudden changes that can overturn your life. The idea of an eclipse also brings to mind deep emotional tides, where everything can be plunged into darkness and then re-emerge into light. The final line, “And everything under the sun is in tune / But the sun is eclipsed by the moon,” serves as a poignant reminder of the cyclical nature of life and how everything is interconnected. The moon’s temporary overshadowing of the sun represents moments of darkness and uncertainty that we all face, but eventually, the sun will shine again.

But the sun is eclipsed by the moon

Pink Floyd, “Eclipse”
  • The line speaks to the idea that even though the sun is a symbol of warmth, light, and life, it can still be eclipsed and overshadowed by the moon, which is often associated with darkness and the unknown. This idea of the light being overcome by darkness can be interpreted in many ways. The first interpretation is that the line sheds a light on the darkness, nothingness, and death that is a natural part of life. The sun, which represents life and warmth, is eclipsed by the moon, representing the darkness and the unknown. This could be seen as a metaphor for the inevitability of death and the idea that life may be just a fleeting moment in the grand scheme of things. The eclipse represents the moment when life is overtaken by death and darkness, and the line is a reminder that this moment is something that we all must face. Another interpretation is that the line speaks to the idea that an individual’s existence is a mere speck of dust in all of the universe’s timeline. The sun has been around for billions of years, and will continue to be around for billions more, while human life is a tiny blip on the cosmic timeline. This could be seen as a reminder of the impermanence of life and the idea that we are all just passing through.

To wrap it all up…

The album’s use of technology and studio techniques is also noteworthy, as Pink Floyd utilized state-of-the-art equipment to create the atmospheric soundscapes that are a hallmark of the album. From the use of sound effects and samples to the innovative use of multi-track recording and tape loops, The Dark Side of the Moon pushes the boundaries of what was possible in the studio. It truly is a timeless classic that has stood the test of time and remains one of the greatest albums of all time. Its innovative use of technology, powerful lyrics, and immersive soundscapes make it a must-listen for any music fan.

OVERALL: 10/10

More music reviews coming up! This might be something that I will do weekly, so be sure to send me some music recommendations down in the comments below!
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Notes to Self 📝

On By J. GabrielleIn musicLeave a comment

Snippets of wisdom – a work in progress

I’ll add more to these as I grow older and discover more about the inner workings of the universe.

  • Your time will come, young lady. Do not be pressured by the achievements of your peers. Avoid comparing yourself to others. Life is neither a race nor a competition—society just made you believe it that way.
  • Deliberate practice. Do your best at something you do not even want to do. Grow into the role. Everything is an opportunity to learn something about how the universe works.
  • Never lose hope. There is always light at the end of the tunnel. No matter how bad the circumstances are as of the moment, look back on the trials you overcame. Only your present self can survive the challenges you are facing right now.
  • Be stoic. Do not let emotions hinder your decisions. Build a healthy relationship with your emotions so you become an expert in controlling them.
  • Get yourself out there. There is no greater teacher than experiences and the only way to gain them is getting yourself out there.
  • Empathize. Acknowledge other people’s thoughts, feelings and emotions. Listen to what others are saying—you do not know everything.

Adele’s “30”: A Track-by-Track Album Review

On By J. GabrielleIn musicLeave a comment
Adele 30 Album Cover
Album Cover as Photographed by Raven B. Varona

It has been over four months since Adele’s latest release—her highly anticipated comeback record, 30. There has certainly been a lot of hype prior to the record’s release, from the cryptic ’30’ billboards popping up all around the world to a series of radio interviews, TV specials, and media appearances. As an Adele fan since 2011, or a Daydreamer if you may call me, I am very excited for this new release (and era) from one of my favourite mainstream artists.

Without further ado, let’s dive right in to Adele’s 30!

Track 1 – “Strangers by Nature” (Score: 8.1/10)

Writer(s): Adele Adkins, Ludwig Goransson

Producers(s): L. Goransson

Whimsical. That is one word that I’d use to describe this track. It’s an orchestra-packed piece backed by Adele’s haunting vocals and chilling harmonies laying the foundation for the “strange” first note of the chorus. I love the overall jazzy foundation of the track and its unpredictable chord progressions, most especially that ‘weird’ chord or melodic shift as she sings the title line. This is probably my favourite Adele opening track on par with Rolling in the Deep from 21.

Favourite Lyric: “I’ll be taking flowers to the cemetery of my heart / For all of my lovers in the present and in the dark”

Explanation – What a striking opening line! It projects a dark imagery of failed past romantically relationships and an almost pessimistic perception on present romance, specifically with the choosing ‘cemetery’ as the setting of the track. At the same time, it shows maturity in a way that it’s not about accusing others of their mistakes but holding yourself just as accountable in the failure of a relationship; hence, the use of ‘flower’ as the main symbolism.

Track 2 – “Easy on Me” (Score: 8.0/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track is simple yet effective. The intro piano riff is pure musical ingenuity. It’s another signature Adele ballad which is a kind of music that the general public has been missing in the charts and radio right now. It’s sonically similar to Hello from 25 given that Adele worked with the same producer for this track. The ‘river and gold’ metaphor is pretty straightforward but is lacking in poetic nuance.

Favourite Lyric: “There ain’t no room for things to change / When we are both so deeply stuck in our ways”

Explanation – These words are pure facts. It’s pretty self-explanatory: the impossibility of changing or moving forward when one is stubborn.

Track 3 – “My Little Love” (Score: 8.8/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track was a heavy listen. Those voice notes had me bawling my eyes out, especially the outro where she opens up about the feeling of loneliness since the breakup of her marriage. I was not able to finish this song fully on the first listen. It took me a couple more repeats before I could embody the emotional stability I had to have to listen to this track in its entirety. The track in itself has distinct R&B elements and incorporates some savoury harmonies in the chorus. There’s an interesting play in the song structure as well which is something new from Adele.

Favourite Lyric: “I wanted you to have everything I never had / I’m so sorry if what I’ve done makes you feel sad”

Explanation – These words, and the song in its entirety, is addressed to her (Adele’s) son. The first line, “I wanted you to have everything I never had”, is something parents often tell their children. Expanding more on this line, there are even times where parents live out their dreams through their children. These words overall perfectly describe a complicated parent-child emotional dynamic.

Track 4 – “Cry Your Heart Out” (Score: 7.2/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

The instrumentals, harmonies, and reggae-tinged rhythm in this track are reminiscent of her debut album 19, released back in 2008. Its upbeat production masks the depressing lyrics which should not go unnoticed for this review. On the first listen, I was just vibing to the rhythm and dancing along with the beats. That’s when you begin to read through the lyrics where it starts to hit home.

Favourite Lyric: “When you’re in doubt, go at your own pace”

Explanation – Life is not a race. Do things your own way in times of utmost uncertainty. Do not let anybody tell you how to live your own life. A simple yet effective message.

Track 5 – “Oh my God” (Score: 8.9/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track is by far the poppiest and radio-friendly sounding. It highlights some vocal sampling and layering which gives it a refreshing and crisp vocal production—at least from Adele. I don’t really have much to say about this track other than it shows off how Adele is able to experiment on her sound.

Favourite Lyric: “I am a grown woman and I do want I want to do”

Explanation – These words have a fairly similar message to the previously-mentioned lyrics but this time there is a tinge of aggressiveness to it. It can also be related to how much media scrutiny Adele has faced during her well-publicized divorce. Notably, with how she changed her appearance and suddenly people had a lot to say with how she is not relatable anymore, she’s gone too “Hollywood”, and all those sort of things people say to a celebrity they don’t even know personally. This statement is a slap to the media’s face—”I am an adult and let me be in control of my own life!”

Track 6 – “Can I Get It” (Score: 6.9/10)

Writer(s): Adele Adkins, Max Martin, Shellback

Producers(s): M. Martin, Shellback

This was my least favourite track from the album. Its reminiscent of Send My Love (To Your Are Lover) from 25 It also sounds radio-friendly and poppy but the production feels outdated and there are bunch of lyrical clichés. But then again, it’s Adele’s voice that makes even the worst song listenable.

Favourite Lyric: “Pave me a path to follow / And I’ll tread any dangerous road”

Explanation – When someone guides you to the right direction, the destination will be reached no matter how much hindrances are there along the way. That is the main message these lyrics project. It is so much easier when we have someone guiding us as we walk the difficult and dangerous journey of life.

Track 7 – “I Drink Wine” (Score: 10/10)

Writer(s): Adele Adkins, Greg Kurstin

Producers(s): G. Kurstin

This track is a personal favourite. It has gotten me hooked from the first listen. Everything about it is just perfect. The lyrics are brutally honest and a total tear-jerker. Lyric-wise, the overall theme of the song is finding out how your life did not turn out the way you envisioned it to be. Melody-wise, I love how the chorus is sung differently three times and the intro piano riff is quite enchanting.

Favourite Lyric: “They say to play hard, you work hard / Find balance in the sacrifice / Yet I don’t know anybody who’s truly satisfied”

Explanation – These words are just pure facts. As a child, you’ve always wanted to grow up right away and you looked at adults as people who have life all figured out; but once you reach adulthood yourself, you realize that life is a never-ending and pointless race. There are times we seek advice from others who seem to know-it-all only to find out the are just as clueless as you. So it’s true, nobody knows what they’re doing after all.

Track 8 – “All Night Parking” (with Erroll Garner) [Interlude] (Score: 8.5/10)

Writer(s): Adele Adkins, Erroll Garner

Producers(s): Joey Pecoraro, Greg Kurstin

Adele + lo-fi vibes is a chef’s kiss. This might be my new study background music. It’s totally refreshing to hear Adele sing over a trap beat and low fidelity music. Once again, the jazzy elements and vibes are evident in this track with the piano interpolation from Erroll Garner, a late infamous jazz pianist. Dreamy is the word to describe this track.

Favourite Lyric: “When I’m out at a party / I’m just excited to get home“

Explanation – As an introvert, I relate heavily to these lyrics. Being out at a party (although I’ve rarely ever been to one) drains so much energy that you can’t wait to get home and recharge by taking a nap. Who knows? Adele might be an introvert like me ¯\_(ツ)_/¯

Track 9 – “Woman Like Me” (Score: 8.8/10)

Writer(s): Adele Adkins, Inflo

Producers(s): Inflo

This track encapsulates a classy and Adele-ish way of dissing an ex-lover. While other artists love to plainly nag about their ex’s lack of effort and stubborn ways throughout their relationship, Adele takes it to another level. A lot of feminist undertones in the lyrics capturing raw emotions.

Favourite Lyric: “Complacency is the worst trait to have, are you crazy? / Consistency is the gift to givе for free and it is key / To ever keep, to ever keep a woman like me”

Explanation – Complacency is not a good attribute because it is simply the unwillingness to improve oneself. It’s basically just settling for what’s “okay” and not strive to be better or be the best. It is not an ideal trait to have in a relationship because it is what keeps it stagnant. Consistency, however, is something that we should value in a serious relationship because it branches out into a myriad of exemplary qualities such as desire, dependability, predictability, and most importantly, trust.

Track 10 – “Hold On” (Score: 9.1/10)

Writer(s): Adele Adkins, Inflo

Producers(s): Inflo

This track will be a mental health anthem. It is this big prayer-like, gospel, and choral song that starts off calm, continuously builds up, and then abruptly shoots up climactic final chorus where Adele belts a meaty note in the fifth octave. Once again, this song reflects the vulnerability Adele is not afraid to share to her audience. One key detail I notice from this song is how she sings the word “hold” while also holding the note which is quite a nice touch.

Favourite Lyric: “Let time be patient / Let pain be gracious”

Explanation – In this fast-paced world, time has become our enemy. Many of us realize that we do not have much time to do what we want to do and achieve what we want to achieve as we grow older. These lyrics look at time in an optimistic way. It’s giving a message of hope where it tells us to “let time be patient” or to not rush things over because there is always a right time for things in life. The process after pain is healing and time is the greatest healer of all.

Track 11 – “To Be Loved” (Score: 10/10)

Writer(s): Adele Adkins, Tobias Jesso Jr.

Producers(s): T. Jesso Jr., Shawn Everett

This track is the standout of the album for me. The best vocal performance I’ve ever heard in 2021. The lyrics cut deep without appearing pretentious in doing so. The ‘home’ analogy or metaphor recurring throughout the lyrics is a genius element tying the album altogether. Nothing else to say about this song. It’s a masterpiece. This is Adele at her rawest and most vulnerable state.

Favourite Lyric: “To be loved and love at the highest count / Means to lose all the things I can’t live without”

Explanation – To feel love at the fullest and give your whole self to somebody means to sacrifice or lose something in you. Love is all about sacrifices. Once again, these lyrics are straightforward and self-explanatory. The message is some thing we can all relate to at one point or another.

Track 12 – “Love is a Game” (Score: 9.2/10)

Writer(s): Adele Adkins, Inflo

Producers(s): Inflo

The perfect choice of album closer. It has this grandiose production that is rich in orchestral elements. The string arrangement is insane. I read from Adele’s Vogue cover that she made this track as a reminiscent of old Hollywood soundtracks. That’s exactly how this song feels. It captures the old Hollywood romance movies’ grand and cinematic vibe, especially the end of a movie.

Favourite Lyric: “I can love me / I can love again / I love me now like I loved him

Explanation – I love how this album closes in a positive way, realizing how self-love is the greatest form of love. You can’t love someone or give yourself full to them without loving and accepting yourself first. The best love is the love that comes from within.

To wrap it all up…

As I’ve said, I am a fan of Adele for almost a decade now. To see her grow as an artist and as a person through her music is one of the best experiences I had in life. The whole album is very cohesive and flows like a book. I also love how it has the feel of being able to catch up with a friend you haven’t seen in a while.

I have never experienced a single romantic relationship at all yet I was able to get a good grip of what it’s like just by listening to her music. I am by no means an expert in music or a critic, I simply love me some good albums. It certainly is one of the strongest releases this year. One key takeaway I have for her music is that she is becoming a master (or is already one) at writing about or expressing her emotions. There’s just so much self-awareness and introspection in her songwriting. A major downside is that I am honestly not a fan of the artwork and from this point forward, I really want to see her step it up when it comes to her album covers.

OVERALL: 8.6/10

Disclaimer: I just realized my personal score for this album is almost the same as how critics scored it. Does this mean I can be a professional music critic now? If so, then watch out Anthony Fantano!

Also, I was finishing this write-up as I was listening to Pink Floyd’s The Dark Side of the Moon, a totally different record with an entirely different vibe. Can you imagine how much of a struggle this was? You tell me.

Another disclaimer, the 30 vinyl I ordered from Adele’s site arrived slightly damaged which will probably haunt me forever. The good thing is that the records themselves are of excellent quality and sounded great.

More music reviews coming up! This might be something that I will do weekly, so be sure to send me some music recommendations down in the comments below!

The Chemiluminescence of Luminol and its Significant Contribution to the World of Forensics

On By J. GabrielleIn UncategorizedLeave a comment

What is Chemiluminescence?

Chemiluminescence is the production of light as a result of a chemical reaction. It occurs when two chemicals react to form an excited, or high-energy, intermediate which breaks down and releases some of its energy as photons of light in order to reach its ground state—the lowest allowed energy state, or most stable configuration of an atom, molecule, or ion (Welsh, 2011). In some instances, a limited amount of heat may also be emitted. The general equation of a chemical reaction causing chemiluminescence is represented by:

A + B —–> AB* —–> Products + Light

[Note: AB* refers to the excited/high-energy intermediate formed by the reaction of chemicals A and B]

The Luminol Test: A Method of Tracking Evidence in Forensic Science

Figure 1: Area under surveillance from the perspective of a naked eye vs. the Luminol test

Criminal investigators mix the Luminol powder with a liquid substance containing hydrogen peroxide (H2O2), a hydroxide (OH–), and other chemicals, and would pour this mixture into a spray bottle. The hydrogen peroxide and Luminol are actually the main reagents in this chemical reaction but in order for the reaction to emit an intense glow, a catalyst is needed to accelerate the process. The iron in the blood’s hemoglobin serves as the catalyst in this reaction. In performing the Luminol test, criminalists must spray the mixture evenly on the area where they think the blood may be present.

Figure 2: The chemiluminescent reaction of Luminol

As seen in Figure 2 above, the iron in the hemoglobin accelerates a reaction between the hydrogen peroxide and the luminol once the hemoglobin in the blood and the luminol mixture come into contact. Harris (2002) explains, “In this oxidation reaction, the luminol loses nitrogen and hydrogen atoms and gains oxygen atoms, resulting in a compound called 3-aminophthalate. The reaction leaves the 3-aminophthalate in its energized state—the electrons in the oxygen atoms are moved up to higher orbitals. The electrons quickly fall back to a lower energy level, emitting the extra energy as a light photon. With iron accelerating the process, the light is bright enough to see in a dark room.”

Luminol test is widely-used by forensic investigators because of their efficiency in yielding results, low cost, easy availability of reagents, and the simplicity of preparing the procedure. The luminescent areas are marked for their detection once the light emission is beginning to fade, and the light obtained can be photographed or filmed (Khan, et al., 2014).

Factors Affecting the Reaction Rate in the Chemiluminescence of Luminol

  • Presence of a Catalyst
    • The iron present in the hemoglobin, an oxygen-carrying protein in the blood, serves as a catalyst in the reaction. Iron is only required in trace amounts wherein a tiny amount of blood, or hidden blood stains, are capable of producing a positive result (Welsh, 2011). 
  • pH Level
    • pH level has an important role in the chemiluminescence of the Luminol within the system (Khan, et al., 2014). It was observed that in low pH, the intensity of light emitted reduces drastically. On the other hand, in higher pH, a significant increase in light intensity was noticed. As seen from Figure 3 below, the chemiluminescent intensity begins to increase at an alkaline pH range of pH 7.0 to pH 8.0, while the maximum intensity was reached at around pH 10.0.
  • Concentration
    • Agustini, et al. (2012) noted that “the intensity of the light depends on the nature and concentration of the catalyst used, may present and this effect can be photographed and lasting approximately one minute.”
  • Surface Area
    • Another variable to the efficacy of the Luminol test, at least in criminalistics, relies on the surface area in which the reaction will take place. Surfaces made of absorbent materials would usually enable a positive result, even after a clean-up of the crime or a long period of time from the crime’s occurrence (Agustini, et al., 2012).

Other Real-World Applications

The chemiluminescent property of luminol is used by biologists in cellular assays to detect the presence of copper, iron, cyanide, as well as specific proteins via western blotting. Moreover, this property is also beneficial within sanitary practices in medical protocols where the application of luminol for the detection of blood among medical pieces of equipment helps to prevent infection, especially before performing surgical procedures.

Works Cited:

  1. Agustini, B. C., da Silva, A. L. L., da Silva, R. R., & Frigeri, H. R. (2012). Luminol in Forensic Science. Journal of Biotechnology and Biodiversity, 3(4), 172–177. doi: 10.20873/jbb.uft.cemaf.v3n4.rogiskisilva
  2. Boudreaux, K. (n.d.). Luminol: A Glow-in-the-Dark Reaction. Retrieved May 3, 2020, from https://www.angelo.edu/faculty/kboudrea/demos/luminol/luminol.htm
  3. Harris, T. (2002). How Luminol Works. Retrieved May 3, 2020, from https://science.howstuffworks.com/luminol3.htm
  4. Khan, P., Idrees, D., Moxley, M. A., Corbett, J. A., Ahmad, F., Figura, G. V., … Hassan, M. I. (2014). Luminol-Based Chemiluminescent Signals: Clinical and Non-clinical Application and Future Uses. Applied Biochemistry and Biotechnology, 173(2), 333–355. doi: 10.1007/s12010-014-0850-1
  5. Minnesota Department of Public Safety. (n.d.). Luminol (Blood). Retrieved May 3, 2020, from https://dps.mn.gov/divisions/bca/bca-divisions/forensic-science/Pages/forensic-programs-crime-scene-luminol.aspx
  6. Welsh, E. (2011). What is Chemiluminescence? Retrieved May 3, 2020, from https://www.scienceinschool.org/2011/issue19/chemiluminescence

This post was initially submitted in partial fulfillment of the requirements for obtaining a credit under Grade 12 Chemistry (Ontario Curriculum). All photo credits belong to the rightful owners of the images used in this post. 

Down with Big Brother: 1984 in Present-Day Society

On By J. GabrielleIn UncategorizedLeave a comment

Classic literature, being a time-tested form of artistic expression, does not only introduce the audience to a profound realm of emotions but also continues to communicate the message on how humans should live and behave. With that said, books categorized as literary classics are highly acclaimed for demonstrating such timeless nature, captivating the most fundamental and universal themes across many generations of readers. This account resonates well with George Orwell’s dystopia 1984, one of the finest among literary classics. First published back in 1949, Orwell’s classic centralizes on protagonist Winston Smith, a low-ranking member of the Party,  and highlights the lives of the citizens in the totalitarian state of Oceania. It further narrates about the main character’s quest to defy the oppressive regime of the Party’s ever-omnipotent leader, Big Brother, through the means of deviating from the established rules and pursuing a forbidden affair with another Party member named Julia. While Orwell’s 1984 is overall infused with horrific themes alongside having a dark and pessimistic tone, nevertheless the novel exhibits a lasting significance. The relevance of this novel is certain since the major and central ideas parallel to that of the happenings in the current society: the prevalence of technology as a destructive mechanism, the continuous susceptibility of individuals into believing alternative facts, and the on-going warfare in the modern times.  

The novel’s relevance is first witnessed through the display of how the prevailing technology acts as a destructive mechanism. In the novel, technology primarily comes in the form of a surveillance device called the ‘telescreen’. A telescreen constantly keeps an eye on the speeches and actions of the people in Oceania, while at the same time serves as a medium of communication for the deceptive propaganda of Big Brother and the Party. The perilousness of this technology is highlighted in the novel as the narrator discloses, “It was terribly dangerous to let your thoughts wander when you were in any public place or within range of a telescreen” (Orwell 68). This tells what privacy and individualism are like for the people in Oceania. The usage of the phrase ‘terribly dangerous’ ignites the idea that an individual’s own thoughts are suppressed for the reason that every movement and even the smallest volume of voices can be tracked by the technology of the telescreen. Through this technological device, the ruling power is able to control the people in a way that the information gathered by the telescreens can be used most especially against those individuals who have secretive, rebellious thoughts. This likewise relates to the ubiquity of technology in modern-day society. Nowadays, the technology of this ‘telescreen’ can be compared to that of social media, surveillance cameras, and smartphones. Such devices also have the capacity to track individuals, thus, invasion of privacy takes place. Moreover, the information that circulates around and is presented in these devices can as well be controlled by those in power. Information, as it is created, can also be destroyed. In the novel, the technology called ‘memory holes’ has this capability. Speaking of this technology, it is revealed that “For some reason they were nicknamed memory holes [because] when one knew that any document was due for destruction…it was an automatic action to lift the flap of the nearest memory hole” (Orwell  44). The term ‘memory hole’ is metaphorical with the fact that information can be eradicated as if the message has never come into existence—leaving no trace of ‘memory’ behind. In 1984, memory holes dispose any evidence that will uncover the alteration of history in Oceania and expose the manipulation of Big Brother and the Party. Today, erasure of information is necessary to fit one’s own agenda, similar to that in the novel. Various technologies these days allow users to “delete” documents and any other files that could possibly expose secrets and will be used against individuals in the future. Orwell’s depiction of the dangers of prevailing technology and the negative impact of technological advancements among individuals is still timely in the present day.     

The continuous susceptibility of individuals into accepting alternative facts, or hoax, is another way in which the novel remains relevant to the modern world.  Alternative facts, the fabrication of lies as truth, play a key role in how the totalitarian government of Oceania is able to psychologically manipulate the Party members in the novel. Readers have a first glimpse at the presence of the so-called ‘alternative facts’ in the first few pages of the book as the official motto of the Party goes this way: “War is peace. Freedom is slavery. Ignorance is strength” (Orwell 11). The stark juxtaposition on these three consecutive statements indicates the obvious contradictions among the context of the words. It highlights the concept of doublethink—which is the method of indoctrination by the Party—wherein individuals simultaneously hold two contradictory thoughts at the same time. The idea of holding two or more contrary beliefs together is still evident at the present time. Such contradictions coexist, most especially, during the times wherein individuals feel the need to conform into societal standards while also wanting to pursue personal desires and this makes it difficult to discern fact from falsehood. Working in the Ministry of Truth, the main task of Winston is to alter, rewrite, and revise factual history and records from the past to such a degree that the information these documents contain aligns with the Party’s propaganda. As the narrator unveils, “The past was erased, the erasure was forgotten, the lie became truth,” the blurred lines between fact and fabrication comes into the surface (Orwell 81). The usage of verbs in past tense (such as ‘erased’, ‘forgotten’, and ‘became’) outlines how those in authority are powerful enough to alter the truth through the means of removing all traces of memories from the past and modifying history in order to make their present actions justifiable—hence, fabricating lies to appear as truth. This akins to the dissemination of hoaxical information typically under the oxymoronic phrase called “fake news” in the present-day world. Since the understanding of the past determines an individual’s attitude in the present and influences the vision for the future, thus, erasing or changing the past is an effective method to discourage people from verifying and challenging present claims. Orwell’s representation how twisted truths serve as a major factor in psychological manipulation among the individual subjects in the novel remains timely and relevant these days. 

Along with destructive technology and alternative facts, Orwell’s incorporation of warfare in the novel fimly proves that this literary treasure withstands the test of time. The representation of warfare in the book is that the battle never ceases to exist although the enemy can change in a sudden manner—either Oceania versus Eastasia or Oceania versus Eurasia. Emmanuel Goldstein, the prominent rebellious figure according to the Party, and his book captures Winton’s interest. The main character reads, “The war, if we judge it by the standards of previous wars, is merely an imposture.” (Orwell 203). The context behind this statement establishes the idea of how warfare is just a means to deceive the populace. Like in the novel wherein the citizens of Oceania suddenly shift hatred towards another enemy when it was announced that the nation had never been at war against the present enemy, it highlights how people easily believe what the authority says. Up to this day, never-ending warfare continues to occur no matter who or what the enemy is. Speaking of war, it does not only exist between two nations or any physical bodies externally but it can also occur internally from within the individual. In fact the ‘worst enemy’, as Winston reflects, “was your own nervous system” (Orwell 70). The nervous system has the greatest capability of control because even the most subconscious thoughts that the mind contains can stimulate visible involuntary gestures in the body. For example, in Oceania, a single twitching of the face alerts the oppressive government whether an individual is thinking of rebellion or is daring to oppose the Party’s propaganda. This concept remains topical to those who experience this kind of internal conflict. The present-day society tends to judge individuals based on their actions because there exists a certain mindset that the actions reflect motives. The author’s integration of ceaseless internal and external conflicts undeniably manifests the timeless nature of the novel. 

Destructive technology, alternative facts, and endless war—these are the three elements acting as the threads that the author masterly wove into creating the novel’s ageless fabric. Orwell’s overall portrayal of  how the prevailing technology can serve as a destructive mechanism, the altering of facts is an effective technique for psychological manipulation, and the never-ending war that exists outside or within undoubtedly captures the timeless nature of the novel as it relates to the modern-day happenings in the society. With all said, the timeless nature of a literary classic like Orwell’s 1984 still paves the way into shaping how and why writers write and readers read the way they do today. Literature, as it is, with the sempiternal essence that classic novels continue to embody will truly encourage empathy among various generations of readers and across different time periods.               

Reference: Orwell, George. 1984. Arcturus Publishing Ltd.